Chappell Roan Shows Pink Knows No Bounds at the 2025 Met Gala

Leave it to Chappell Roan to create a striking impression at the Met Gala entrance.

For the very first time, this Grammy-winning pop artist is making her way up the Metropolitan Museum of Art’s famous carpeted stairs for fashion’s premier event. Known for always presenting a remarkable look on the red carpet, the lead vocalist of "Pink Pony Club" ensured she would not disappoint at this occasion. 2025 Met Gala take a look at her outfit, featuring an enormous hot-pink patchwork coat adorned with sparkly fur trim. Beneath this, she carried forward the pink theme in a dazzling jacket paired with coordinating bell-bottoms.

The dress code for this year’s Met Gala is “Tailored for You,” which is derived from the Costume Institute’s exhibition theme, “Superfine: Tailoring Black Style.” The Institute developed the theme by taking inspiration from Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity , a 2009 publication by Monica L. Miller, who is a professor at Barnard College.

"I believe that this exhibition represents a significant milestone in our dedication to broadening our displays and acquisitions, along with addressing certain historical prejudices present in our curatorial approach," stated Head Curator Andrew Bolton. said It's all about using the Met as a portal to enhance accessibility and inclusiveness in fashion.

This marks the first exhibit since 2003 dedicated exclusively to men's clothing. In keeping with this theme, Pharrell Williams, Colman Domingo, A$AP Rocky, and Lewis Hamilton have been featured. appointed as co-chairs .

Roan is recognized for her innovative red-carpet and stage outfits. In an interview, her stylist, Genesis Webb, shared insights into putting together the artist's distinctive wardrobe. Harper’s Bazaar “I appreciate how Chappell World is showing me that we have room for some color, adding more elements, and taking bigger risks,” Webb stated. “Plus, I've developed a greater respect for the flamboyant theatricality without it feeling as grim as with McQueen’s work.”